The voices in the movie are performed by students from Accademia Teatrale Veneta.
Short movie at the beginning of the performance. Music score by Leah Wingham.
This is my design research in the form of interactive installation designed and fabricated with Mehran Gharleghi and in collaboration with Irina Dashkovsky, Omar Ibraz and Tom Scopes. The installation was exhibited during Biennale Sessions at the Salle d’Armi all’ Arsenale. The opening was accompanied by movement performance The Bridging Lines – Arsenale with choreography by Yong Min Cho and in collaboration with Accademia Teatrale Veneta and Jinwoo Jung (Guest Performer) and music by Leah Wingham.
Iridescence appeared with the evolution of the eye and is closely connected to sexual selection. Because of their gorgeous blue, the Morpho butterfly species have been investigated several times. Their iridescent scales are quite complex and the reason why we can see multiple colours on their wings is due to structural color and not pigment. The structure of Morpho butterfly wing is due to the white light interacting with the air-filled geometry of its nanoscale environment, in which its composite wavelengths scatter, diffract, and interfere with each other to produce iridescence.
The veins in the wings of a butterfly are also inflatable structure. Architectural in nature the structure is very light and colourful. The installation explored the consequences of such structures on a macro scale using parachute material and LED lighting (which operates similarly to compound eye of the butterfly) powered by simple fans while operated digitally through arduino board system. These images show how the body of dance performer Jinwoo Jung interacted with slow motion inflation of installation elements activating unpredictable occupational zones within architecturally delineated space.
More information about the symposium Fundamentals of Space: Colour and Line for which this installation was made could be found on: http://www.labiennale.org/en/architecture/exhibition/biennale-sessions/abstracts.html and http://www.aaschool.ac.uk//VIDEO/lecture.php?ID=2682
Installation details of ‘Cinecittà Occupata’ at the Venice Biennale Monditalia section. More details about the project could be found on: http://www.cinecittaoccupata.com. More extensive set of pictures of the famous Italian film city and ‘factory of dreams’ will be uploaded soon from my visit to Rome a year ago.
As I just came back recently from spending a week in Venice (last week of Architecture Biennale 2014) I thought this may be a good time to start a blog and share some interesting visual information from recent events and architectural experiences with a wider public. Since there seem to be numerous things I would like to post the blog may expand its visual archival tags in time.
One of the pieces that drew my attention in Venice was ‘Antonioni’s Villa’ by Will McLean, about the architect Dante Bini who experimented with ultra-thin concrete domes that were created by using air-inflated formwork. The ‘binishell’ house was built in the 60s for Michelangelo Antonioni and Monica Vitti in Costa Paradiso, Sardinia.
Displayed on inflatable mattress like structure the printed image of Antonioni and Vitti is accompanied with printed drawings of the house. More details about the current state of the house could be found on Sardinian website: http://www.sardegnaabbandonata.it/cupola-antonioni-costa-paradiso/