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Some walls can be made into and others can be drawn onto – a speculation made on the assumption to how we wish to engage with them. I therefore developed ways of thinking and drawing walls differently from each other as each of them suggests a possibility of working differently with bodily, material or environmental predictions. In order to extend spatial layering through unconscious time during conscious experience and in the case of Holding Wall – Kitchen discusses the multiplicity of engagement with the wall, so much that it spills out of the wall onto the table or any other horizontal surface. Photographs by Frederik Petersen (and few by Ivana Wingham).